In Search of Green Gold

2011-09-28T12:43:00.001-07:00

Candescent news updates can now be found on facebook & flickr.

Fairtrade Gold Launch

2011-01-18T01:52:00.000-08:00

Fairtrade Labelling Organisations International (FLO) and the Alliance for Responsible Mining (ARM) launches the first ever independent ethical certification for gold in the UK on the 14th February 2011.

The standard was piloted by ARM with nine legally established mining organisations in Bolivia, Colombia, Ecuador and Peru, to include Oro Verde, with more producer organisations from Latin America expected to join the system in 2011 and beyond. A network of pilot projects in Africa, and later in Asia are also to be established.

This will open up market opportunities for millions of impoverished artisanal small-scale miners and their families globally.

http://www.fairtradefairminedgold.org.uk/

Gold for Gold

2010-02-19T03:26:00.000-08:00

Oro Verde ® was awarded the prestigious 'Gold Winner Award' from the SEED Initiative in December 2009. A suitable award for fair trade and ecological gold!

Cuff & Ring

2009-07-29T00:53:00.000-07:00

http://www.the-candescent-project.co.uk/

Oro Verde ® DVD Presentation

2009-07-23T05:13:00.000-07:00

Produced by Amichocó with support from the Tiffany & Co. Foundation, and directed by Alejandro Cock, this is a 10 minute DVD presentation of the work of the Oro Verde ® programme, and was shown during the Green Gold exhibition.

Ethical Jewels - Telegraph and The Jewelry 'Special Report'

2009-07-14T07:12:00.000-07:00

The Candescent Project's Green Gold exhibition was featured in an 'Ethical Jewels' article in The Daily Telegraph's Style section and the August edition of The Jewelry. The exhibition was also covered by Daniel Lambert at Sky Arts.

http://www.the-candescent-project.co.uk/

Assay Office London

2009-07-13T01:54:00.000-07:00

The 18ct gold cuff & ring has been assayed and delicately hallmarked by the Assay Office in London. The Assay Office is part of the Worshipful Company of Goldsmiths, one of the twelve great livery companies of the City of London. Founded to regulate the craft or trade of the goldsmith, and responsible since 1300 for testing the quality of gold, silver and, latterly, platinum and palladium articles, the word 'hallmark' originates from the fifteenth century when London craftsmen were first required to bring their artefacts to Goldsmiths' Hall for assaying and marking. This requirement continues unchanged today.

Green Gold Exhibition at the Art Workers Guild

2009-06-19T12:03:00.000-07:00

Images from the Green Gold exhibition, a Candescent Project that was part of Coutts London Jewellery Week, June 09 and Respond! An RSA Arts & Ecology Initiative.

Candescent: glowing or dazzling from or as if from great heat.

The cuff & ring.

The Art Workers Guild Hall.

From a Suitcase to a Display Case

2009-06-19T06:17:00.000-07:00

At the Art Workers Guild, I unpacked the mining tools that I had brought back from Colombia, and used them to fill the display case. Many admired the round, wooden batea, which twinkled with flecks of gold dust in the sunlight. Colombian coffee sacks completed the setting.

Life Imitating Art

2009-06-18T05:59:00.000-07:00

From a painted trompe l'oeil noticeboard by Francis Martin to a real life noticeboard featuring the wonderful portraits of the Oro Verde® miners by Kike Arnal.

http://www.kikearnal.com/

Light & Shadow

2009-06-17T05:53:00.000-07:00

As I was setting up on the last day of the Green Gold exhibition, early morning sunlight was streaming through the window. I seized the moment and captured this image of the cuff and ring handcrafted from the Oro Verde® gold by Stacey Whale. Beautiful.

Cuff & Ring designed and handcrafted by Stacey Whale for The Candescent Project.

Stacey pierced the cuff and melted the cut out pieces from the cuff to form another sheet of gold, from which the ring was crafted. The cut out pieces were also used to set the rubies, sapphires and an aquamarine from Columbia Gem House. As ethical gold chain is not yet available to buy, wire was made from the Oro Verde® gold and used to make the clasp.

Paint by Numbers

2009-06-17T04:59:00.000-07:00

This is the painting created by artist Francis Martin for the Green Gold exhibition, inspired by trompe l'oeil.

Picture Map

1. A Carriel is a small leather satchel, similar in appearance to a saddlebag, but worn over the shoulder usually by men. This bag is synonymous with paisa culture and commerce and is a beloved symbol of the industriousness and honesty of antioquenos.

2. Juan Valdéz. Character created by the National Federation of Coffee Plantations to promote coffee sales in the exterior. Juan Valdez represents the typical farmer from the Colombian Coffee Region that walks through the mountains accompanied by his mule (Conchita) who always helps him transport Colombian coffee.

3. The Amigos del Chocó Foundation (AMICHOCO) is an environmental NGO that fosters the sustainable use of natural resources and the improvement of the quality of life of the mainly Afro-Colombian population that lives in the Chocó Bioregion in Colombia.

4. Oro Verde® is the brand name of the first environmentally certified and socially responsible gold in the world.

5. The National Flower of Colombia is an orchid called the Cattleya Trianae (May Flower).

6. The Gold Museum collection in Bogotá began when the Banco de la República acquired a Quimbaya lime container or poporo, made of gold.

7. Indians panning for Gold. Gonzalo Fernandez de Oviedo 1535.

8. Oro Verde® miner Catalina Mosquera.

9. The Department of Chocó in Colombia.

10. Filigree earring, Zenú tradition.

11. A traditional wooden batea, used for panning gold.

12,13,14. Peine Mono (Apeiba), Escoba Babosa (Sida Glutinosa) and Malva (Malachra Rudis), the juice of which is used to separate the gold from the gravel.

15. Agrias Butterfly.

16. Colombian Flag.

17. Traditional Chiva Bus

18. The sombrero vueltiao or sombrero vueltiado (Colombian Spanish for hat with laps), a traditional hat from Colombia and one of its symbols.

19. The Andean Condor (vultus gryplus). Chosen in 1834 as the emblem of liberty and sovereignty, the condor is on Colombia's national crest. Today, there are many campaigns to conserve this bird and save it from extinction.

20. South America

21. Bogota to London is 5271 miles.

22. A cuff and a ring crafted from Oro Verde® gold by Stacey Whale.

23. A cup of English Breakfast tea.

24. London.

25. Colombia.

26. Candescent

The finished painting.

The Real Price of Gold Article

2009-06-11T23:41:00.000-07:00

Many of you visiting the Green Gold exhibition this week have expressed an interest in a copy of the article I have on display from the January edition of the National Geographic magazine. Here is a link to the article 'The Real Price of Gold'.

A Little Peek

2009-06-08T15:15:00.000-07:00

The gold cuff and ring handcrafted by jeweller Stacey Whale from the Oro Verde® gold look so beautiful and delicate. The rubies and sapphires from Columbia Gem House have been sparkling at me today in the Art Workers Guild.

Green Gold Exhibition Flyer

2009-06-05T23:48:00.000-07:00

To see how my search for 'Green Gold' and a beautiful, ethical piece of jewellery ends, come and visit us at the Art Workers Guild in London next week (8-14th June). The exhibition is part of Coutts London Jewellery Week and Respond! An RSA Arts & Ecology Initiative.

The exhibition is funded by Cordaid & CAFOD.

http://www.the-candescent-project.co.uk/

Bogotá to London

2009-06-03T22:07:00.000-07:00

Having purchased 40g of gold from Oro Verde ® and with a suitcase full of mining tools for the Green Gold exhibition, I headed back to London.

Detail of the painting inspired by trompe l'oeil by Francis Martin.

A Successful Model

2009-06-03T22:03:00.000-07:00

As the Oro Verde ® model has been successful, the next step is to replicate and scale up this initiative, both within Chocó and also nationally and internationally. Around 13 million people around the globe depend on artisanal mining for their subsistence, and very often environmental degradation and poverty accompany the reality of these communities. In 2005, the Oro Verde ® programme joined forces with international institutions to create the Alliance for Responsible Mining (ARM) with two purposes. Firstly to adapt the Oro Verde ® programme to be applicable to other artisanal mining communities in the world and, secondly, to set an independent organisation that would develop an international standard to certify responsible artisanal mining practices. Both of these purposes have been met.

Oro Verde ® is the brand name of the first environmentally certified and socially responsible gold in the world. The Oro Verde ® programme continues to grow and expand, and is in part possible due to the existence of an independent, global label developed by ARM to certify fair trade gold, FAIRMINED, that while in the process of gaining market recognition, has gained a positive reputation in development spheres for leading a transparent and inclusive process in developing a fair trade standard for artisanal gold.

There is great potential for the expansion of the programme within the Chocó Bioregion, as 32 of the 93 municipalities have vocation for mining precious metals. In this context, the programme has great opportunities of enhancing the lives of thousands of families in the eco-region that depend on mining for their livelihoods.

http://www.communitymining.org/

48 hours in Tadó

2009-06-02T18:53:00.000-07:00

View of the San Juan River from my hotel

The highly decorative church ceiling

Tree tomatoes

Tadó

A traditional Chiva bus.

Lucas, our taxi driver, whizzing past.

Three inquisitive locals.

Children´s Land (Tierra de niños-TINI-)

2009-06-02T18:32:00.000-07:00

Another project is the Children´s Land (Tierra de niños-TINI-) which works to foster environmental conscience, and empower children between the ages of 6 and 12 by giving them a plot of land and helping them to care and manage it during a 12 month period. Through workshops and activities that focus on environmental education, artistic expression, children´s rights and the proper use of natural resources, the project seeks to promote in children an active citizenship and give them the necessary skills to make an appropriate use of their natural resources and act as agents of development and change within their communities.

Maribel Marquez is the co-ordinator of the project.

Gualdino Perea's Mine

2009-06-02T02:01:00.000-07:00

Manual Mosquera and Jose Octaviano took us to meet Gualdino Perea, a miner who is part of the Oro Verde ® programme and who has been mining gold for most of his life. He explained that after extracting the gold, the land gains ecological stability within three years, and proudly showed us green plantain, cassava (yuca), and chacarrá, the fruit of which tastes like coconut. Other forest products include cocoa, ginger, achiote (a natural colourant), borojó, lulo, pineapple, banana, cucumber, chontaduro (peach-palm) and avocado.

Manuel Mosquera & Jose Octaviano

Gualdino Perea

Mining tools

Gualdino Perea's Mine

Gualdino Perea's Mine

The Farm

2009-06-01T23:36:00.000-07:00

The Oro Verde ® programme works from a farm situated in the municipality of Tadó. Various productive projects are administrated from here, including mining, forestry and livestock.

The Farm

As a complimentary project to the certified green gold, the programme has been supporting Analogue Forestry projects that involve the local communities in the administration of their lands, from the restoration of ecosystems to the creation of food security and independence.

Once a mine, and now a lake, we watched the fish jumping to the surface.

Seeds and cultivated seedlings are grown on the farm. The plants are then used for the rehabilitation of degraded areas and for agricultural purposes.

Bees

Our taxi waits to take us back to Tadó.

Fair Trade Gems

2009-05-31T08:45:00.000-07:00

Columbia Gem House Inc. is the principle force behind the Quality Assurance and Fair Trade Gems Protocols, more commonly referred to as 'Fair Trade Gems'. This is the standard by which the gemstone industry is measured and has tangible, lasting implications that benefit the global community at large.

Fair Trade Gems are closely tracked from mine to market to ensure that every gem has been handled according to these strict protocols. These protocols include environmental protection, fair labour practices, health and safety standards, and a tight chain of custody that eliminates the possibility of treated gems or synthetics being introduced into the supply chain. At the same time, Fair Trade Gems promote cultural diversity, public education and industry accountability.

The end result will:

1. Demonstrate to the customer where the gemstones originated.

2.Identify what,if any, treatments have been done to the gemstone.

3.Determine that the gemstone is of natural origin and not synthetic or imitation.

4. Confirm that the gemstone was obtained legally.

5. Not support those who utilise business practices such as; employing child labour or slave labour, demanding employees to work exorbitant hours, paying below the standard or minimum wages, destroying the environment, smuggling, or supporting terrorist groups.

6. Not support those who are unethical or non-transparent in any manner.

7. Create desire and instill confidence in the consumer.

8. Help others achieve a higher standard of living.

http://www.columbiagemhouse.com/

http://www.fairtrade-gemstone.com/

A Chain of Gold

2009-05-31T08:01:00.000-07:00

The Oro Verde ® gold for the Green Gold exhibition was collected by the Community Council from a certified productive family unit. Purchases of gold and platinum occur both at the mines and at the urban centre of the municipality, depending on the local dynamics of each community.

Luis Alfredo Hurtado is the man in charge of buying and selling Oro Verde ® gold.

Cleaned and prepared locally, the gold and platinum is sent to Medellín, where the gold is refined by a local refinery. For transport purposes, Oro Verde ® has established an alliance with a national refinery who, as part of their social responsibility policy, offers the Programme its transport, security and refining platform. At all times the traceability of Oro Verde ® is respected. Oro Verde ® is packed, stored and refined apart from other metals.

The programme then sells and ships the metals to final clients. Receiving the 40g of gold from Oro Verde ®, the question was now what to alloy it with. 24ct gold is very soft and malleable, so for jewellery purposes it is often mixed with silver and copper to make it more durable. The 24ct fair trade and ecological gold from Oro Verde® deserved to be alloyed with metals of a similar integrity. As certified, responsibly mined silver and copper is not yet available on the market, recycled or ‘renewed’ metals proved to be the answer. I approached UK company Cred Sources, who are the first to supply recycled silver and fair trade gold to jewellers. They added their recycled fine silver to my high quality copper wire and created a sheet of 18ct yellow gold for us to work with.

A Lace-like Cuff

2009-05-31T07:45:00.000-07:00

Stacey is creating a lace-like cuff from the Oro Verde ® gold, imbued with fair trade gems from Columbia Gem House, for the Green Gold exhibition. The gems are a rainbow palette of pinks, oranges, yellows, blues and greens. Kindly donated by Colombia Gem House, and selected by C.E.O Eric Braunwart personally, we have emeralds from Zambia, aquamarines from Mozambique and rubies & cognac, purple and orange sapphires from Malawi. For good measure we have yellow sapphires from Australia. They are exquisite.

Detail of the trompe l'oeil painting by artist Francis Martin, featuring designs by jeweller Stacey Whale.

Apeiba, Sida Glutinosa and Malachra Rudis

2009-05-31T07:15:00.000-07:00

Over time, the Oro Verde ® mining community has identified three plants that work in the opposite way to mercury and cyanide. The local names of the plants are Peine Mono, Escoba Babosa and Malva. Peine Mono (Apeiba) is a tree, while Malva (Malachra Rudis) and Escoba Babosa (Sida Glutinosa) are weedy herbs. The clue is in the name, as the plants are glutinous and the juice from the plants binds the soil, thus separating and extracting the gold from the gravel.

Peine Mono (Apeiba)

Malva (Malachra Rudis)

Escoba Babosa (Sida Glutinosa)

Mercury & Cyanide

2009-05-31T06:29:00.000-07:00

When not used responsibly, mercury and cyanide are highly toxic.

Cyanide leaching is used by large mining operations to separate gold from ore. This is done by leaching the rock on engineered, lined pads or by crushing the rock to the consistency of sand, then adding water to form a slurry that is mixed with a cyanide solution. Gold particles bond with the cyanide in solution and are extracted from the slurry. Cyanide pollution is a major concern. A rice-grain sized dose of cyanide can be fatal to humans and concentrations of 1 microgram (one-millionth of a gram) per litre of water can be fatal to fish.

While the wide sale use of cyanide is a relatively recent development, mercury has been used for centuries as a cheap and easy method to extract gold. Like cyanide, it is a deadly toxin. Once mercury enters the environment, its vapors become trapped in the atmosphere, precipitate onto the ground, and run into the water supply. When exposed to organic matter, methyl mercury is formed. This compound is stored in animal fat and accumulates over time, reaching levels in fish that can be thousands or millions of times higher than in the river.

Mercury is still used by small scale artisanal miners because it can extract as much as 60% of the gold. It is mixed with gold bearing mud and gravel into an “amalgam,” which is then burned out with a torch or even over an open fire, releasing mercury vapor into the atmosphere and exposing miners and bystanders to toxic fumes.

Environmental Criteria

2009-05-29T03:20:00.000-07:00

In the first instance, families interested in being part of the Oro Verde ® programme contact the Community Councils. The Community Councils, with support from Las Mojarras Foundation, identify the miners that have the potential to be certified and visit them while they are working at their mines. The programme then produces a list of productive family units who comply with the 10 environmental criteria, which is handed over to the independent certifier, IIAP. Currently 7% of the mining families of the two municipalities are part of the programme.

CERTIFICATION CRITERIA

Oro Verde ® precious metal meets the following certification criteria:

1. There is no massive ecological destruction. This state being defined by changes to an ecosystem that places it beyond a possibility of recovery.

2. No toxic chemicals like mercury and cyanide are used in the extraction process.

3. The mined areas gain ecological stability within three years.

4. Topsoil removed from the site is replaced during the exploitation process.

5.Tailings and poolings do not exceed the local ecosystem capacity for rehabilitation.

6.The silt load into stream, river or lake system will be controlled in quantity and frequency, such that the native aquatic ecosystem is not disrupted.

7. The mining operations are conducted with the agreement of the local Community Councils.

8. The origin of gold and platinum (for royalty purposes) is declared in favour of the corresponding municipality.

9. In forested areas mining activities must not exceed 10% of a hectare during rotation periods of two years.

10. Local, regional and national regulations are followed.

The Perea Family

2009-05-28T05:31:00.000-07:00

In stark contrast to the uncontrolled, mechanised mining, the certified families of the Oro Verde ® programme employ a method of extracting the gold that does not involve the use of mercury, cyanide or machinery and in return receive a direct economic incentive in the form of a premium for their metals. Using traditional, ancestral mining techniques, the miners pan for gold using round, shallow wooden plates and separate the gold from the soil using juice extracted from three different types of plants that grow locally. By extracting the gold in this method, the Oro Verde ® programme is protecting more than 7900 hectares of tropical rainforest. I met with three generations of the Perea family, a certified Oro Verde ® productive family unit.

Gualdino Perea

Eneida Perea.

Gualdino Perea's daughter and son, Juan and Eneida Perea.

Eneida Perea.

Juan Andres, Gualdino's Grandson

Eneida's green gold.

Uncontrolled, mechanised mining

2009-05-28T05:17:00.000-07:00

The gold mining development programme is based in an eco-region called the Chocó Bioregion. One of the world’s biodiversity hotspots, this region goes all the way from Panama to Ecuador and from the Pacific Ocean to the Andes mountain range, larger than Costa Rica and second only in size to the Amazon. The verdant rainforest is home to approximately 2750 endemic species.

Uncontrolled, mechanised large-scale mining and logging have destroyed vast swathes of the region, causing devastation of strategic ecosystems, loss of fertile lands and water and soil pollution from mercury.

The Community Councils & Las Mojarras Foundation,

2009-05-27T11:39:00.000-07:00

The Community Council of Tadó and the Community Council of Condoto are representative figures created in 1993 by a law which gave collective property rights to Afro descendant communities of the Colombian Pacific region over the land they have ancestrally inhabited.

Community Leader Aristarco Mosquera

Along with Las Mojarras Foundation, these community based organisations promote the appropriation and sustainable use of their collective territory and the improvement of the livelihoods of the communities who have been historically excluded from social, political and economic process in the region and the country.

Flight to Quibdó

2009-05-27T10:53:00.000-07:00

I joined Guillaume and Sebastion, a photographer and journalist from Paris, and David, a translater from Medellin, on a flight (with propellers) to Quibdó , the capital of the department of Chocó. From here it was a one and a half hour bus journey to the town of Tadó, my base for a few days. The Oro Verde ® programme operates in the two municipalities of Tadó and Condoto, working with 194 certified family units (around 1300 miners).

Detail of the trompe l'oeil painting by Francis Martin of Oro Verde ® miner, Catalina Mosquera. The original photograph was taken by Ronald de Hommel.

The Amigos del Chocó Foundation (AMICHOCO) & the Oro Verde ® programme

2009-05-27T10:17:00.000-07:00

The offices of the Amigos del Chocó Foundation (AMICHOCO) and Oro Verde ® are based in Medellin, and it was to here that I travelled to next. I met with Sandra, with whom I had been talking to about the Green Gold exhibition, and watched a presentation about the Certified Oro Verde ® (green gold) programme.

The Oro Verde ® (green gold) Programme in Chocó ( Colombia ) is the first initiative of its kind in the world. It seeks to reverse the devastating damages caused to this unique ecosystem (a biodiversity Hotspot) by out-of-control large scale mining. Currently the initiative is being implemented in co-operation with 12 Afro-Colombian communities, in the municipalities of Condoto and Tadó. The project seeks an active participation from the communities, which are represented by the community councils.
The Oro Verde ® Corporation, which leads this programme, was created in 2000 as an alliance between 2 community councils in Chocó (the Community Council of Alto San Juan - ASOCASAN - and the Community Council of Condoto - CCMC -), a local NGO (Las Mojarras Foundation - Fundamojarras -) and an NGO based in Medellín (Amigos del Chocó Foundation - Amichocó -). The Oro Verde ® programme seeks to promote sustainable development and to support the communities of the Bio-geographic region of Chocó in improving their living conditions. This is done through the implementation of productive projects (forest, mining and livestock), environmental education and capacity building, linking local communities with the national and international community. The main concern has always been for the communities to become empowered and to have them appropriate the projects they undertake with the Oro Verde ® Programme. The projects, which respond to the local reality, always address social, ecological and economical issues.
To present, the work has been focused on the Oro Verde ® Programme and previously on the Analogue Forestry Programme (Analogue Forestry is an alternative method of rehabilitating the forest and restoring the biodiversity of the region, by using species that are ecologically, socially, economically, and culturally compatible with the environment).
The Oro Verde ® metals (gold and platinum) are bought from certified miners, who receive a fair price for it and benefit from the programmes that are established to improve their living conditions and foster food security. The gold is then sold to jewellers in Colombia, the United States, the United Kingdom, Denmark, and other countries. A premium of 15% is charged over the international price of gold and platinum, which is used to finance social and environmental programmes in the region. Each jeweller receives a certificate which attests to the origin and method of extraction of the material they are acquiring, and each end customer receives an informative flyer which differentiates their jewellery from the rest. These flyers inform the end customer about the social and environmental aspects that he/she is promoting through the purchase of a piece of jewellery crafted from Oro Verde ® gold or platinum.
Based on the success of this experience and the need to expand it to other regions, the Alliance of Responsible Mining (ARM) was created. This is a network of independent organizations working in a global-scale effort to promote responsible standards and criteria for artisanal and small-scale mining (ASM).

http://www.greengold-oroverde.org/

http://www.amichoco.org/

http://www.communitymining.org/

La Candelaria Bogotá

2009-05-23T12:29:00.000-07:00

La Candelaria is the historical and cultural heart of Bogotá and a great place to wander. I spent two days here, and visited the Museo Botero, which houses paintings, drawings and sculptures donated by the Colombian artist Fernando Botero. Botero's paintings and sculptures are of exaggerated proportions, informed by a Colombian upbringing and woven with a social commentary.

Next door I visited the Museo Arte Banco de la Republica, the bank's art collection, and admired another Olga de Amaral wall hanging.

Bogotá Botanical Garden

2009-05-23T08:20:00.000-07:00

We decided to go to the Bogotá Botanical Garden before Stacey left for London. The Colombian national tree, the Palma de cera or Wax Palm and the Colombian national flower, the Orchid, are found in the Botanical Garden as well as plants from every Colombian region, altitude, and climate.

The heavy rainfall left drops of water on the foliage, which reminded me of the gems set in Stacey's Raindrop jewellery collection.

Market Day

2009-05-23T07:45:00.001-07:00

Market day in Villa de Leiva, held on Saturday, is a profusion of colours and scents, as people arrive from the surrounding area to sell their wares.

A local wearing the sombrero vueltiao or sombrero vueltiado (Colombian Spanish for hat with laps), a traditional hat from Colombia and one of its symbols.

Vegetables for sale include onions, garlic, peppers, potatoes, beans, corn, carrots, cauliflowers and leeks. More exotic are the fruits and include feijoa, cherimoya, mora (a type of blackberry), lulo, guanábana (soursop), tree tomato, cape gooseberry (physalis), and my favourite, sweet granadilla.

The Muisca Raft

2009-05-22T10:45:00.000-07:00

It was gold that brought the Europeans to the New World. When they arrived the Muisca Indians of the Boyacá region were modelling figures in wax and covering them with clay. They then fired them, removed the melted wax and filled the mould with gold. This is known as the lost wax method. Virtually all of today's techniques of the goldsmith were known by the Muisca Indians.

One of the legends of the time was that of El Dorado, a ceremony where a great chieftain covered in gold dust threw large quantities of gold and emeralds to the bottom of a lake. The lake was believed to be Guatavita, which Stacey and I passed on our way to Villa de Leiva.

The Muiscas had been making offerings for a very long time, not only at Guatavita, but at other lakes as well. These ceremonies were governed by sowing and harvest times, and possibly by the movement of stars. The Spaniards misinterpreted the meaning of the offerings however, relating them to a dynastic succession ceremony. For them untold riches of the El Dorado legend could be on the beds of the lakes, and an aggressive exploitation began not unlike the uncontrolled large-scale gold mining in Chocó today. Guatavita lake was virtually destroyed and other lakes seriously affected. Many offerings were recovered during these looting activities but El Dorado was never found.

This golden raft was found inside a large clay container in 1969. The 'Muisca Raft' was made by casting using the lost wax method in a single operation, including the ornaments and hanging plates of the different figures. It is made from a copper and gold alloy, but one where gold is the main element.

My Favourite Blouse

2009-05-22T10:27:00.000-07:00

I was to leave my favourite blouse in Villa de Leiva, as I had managed to rip it and it was beyond repair. All was not lost however, as we began to see a link with fabric and the weave, the hidden thread and the filigree work of the Zenú Indians.

I kept the 'gems' and brought them back to London.

Inspirational Images

2009-05-22T09:36:00.000-07:00

Stacey delves into the depths of the natural and microscopic world to find inspiration for her creations. These fragments of hidden detail provide a platform from which Stacey creates her award winning, innovative and original pieces of jewellery.

Using a variety of precious stones and lenses, Stacey creates a wide range of high quality sculptural male and female jewellery, handcrafted in gold. Stacey's variety of techniques with a distinct style of craftsmanship, provides a refined balance of strong architectural lines and soft organic shapes and textures, to create a piece of art that is beautiful, functional and visually intriguing.

Below are some of Stacey's inspirational images from Colombia.

Gold artefact from the Gold Museum

Gold artefact from the Gold Museum

Colombian Flora

Lulo Fruit

Detail, La Casa de Terracota

Raindrops

Moss

http://www.staceywhale.com/

Villa de Leiva surrounds

2009-05-22T09:03:00.000-07:00

The countryside surrounding Villa de Leiva is varied, with semi desert to the west, moorland to the east, and a national park that is mainly high cloudforest. Over the course of a few days, we were to be inspired by art and nature, the pale, green landscape taking on a painterly quality.

Stacey and I passed many locals along the way, and were always met with a 'buenos dias'.

Stacey with a friendly local.

Of interest was La Casa de Terracota, a Gaudi-esque construction built entirely out of ceramic tiles extracted from the local area and worked directly onto the building. Practically everything is made of terracotta, including the furniture, and there are interesting mosaics and homewares.

Mawasi Finca

2009-05-22T08:30:00.000-07:00

After leaving Bogotá, Stacey and I headed to the artistic community of Villa de Leiva, a colonial town in the department of Boyacá. We stayed with wonderful hosts, Bonnie and William, in a house that they have built with friends, 'Mawasi Finca', Mawasi meaning 'to have found a home from the earth'.

View to the guest cabin from the kitchen

A beautiful setting lit by fireflies at night, Mawasi Finca was a great base from which to explore the surrounding area. Beginning the day with William's breakfasts and ending it with an outdoor shower under the stars was the perfect antidote to the city.

A Mawasi Finca Breakfast

William is also a jeweller and creates pieces of jewellery using the lost wax technique.

http://www.mawasifinca.com/

The Gold Museum of Colombia

2009-05-19T09:01:00.000-07:00

I met Stacey Whale, the jeweller attached to the Green Gold exhibition, in Bogotá and together we visited the Museo del Oro, or Gold Museum, one of the most important collections of pre-Hispanic metallurgy in the world. The collection began when the Banco de la República acquired a Quimbaya lime container or poporo, made of gold. Today the collection comprises of 50,000 objects made of metal, ceramic, stone, wood and textiles, of which 35,000 are pieces of pre-Colombian gold work, most of which are found at the Museo del Oro.

Detail of the painting by Francis Martin featuring the Quimbaya lime container or Poporo.

On display is the work of the pre-Colombian indigenous groups that have been identified in Colombian territory, and how they found and worked gold. Each culture had distinctive characteristics which set them apart, and this is presented within a geographical and historical framework. The centrepiece of the museum is the Salon Dorado, a dazzling display of 8000 pieces inside an inner vault.

www.banrep.gov.co/museo/eng/home.htm

Colombian Connection Project

2009-05-14T09:34:00.000-07:00

In Cartagena I met Kay, a travel writer who introduced me to the rest of the group she was travelling with in Colombia. Led by Alan, and called the Colombian Connection Project, the concept of the journey was to change people’s perception of Colombia whilst acting as a catalyst for change. I joined the group on one of their journeys, exploring the island of Isla Grande. which forms part of the National Park of Corales del Rosario. This reserve comprises of a group of 30 coral islets, 45km southwest of the Bay of Cartegena. Kay and I decided to explore the island by canoe and glided pass red mangrove trees and into mangrove swamps. The trees are known as walking trees due to their long roots. It was very peaceful and idyllic.

Travelling back we journeyed via the Canal del Dique, built by the Spaniards in 1650 as a connection to the Magdalena River, which served as a route to the interior of the continent. The evening was spent in the stylish surrounds of the Santa Clara Hotel, a former church and monastery, and the setting of the story ‘Of Love and Other Demons’ by Gabriel García Márquez. A gold, shimmering wall hanging entranced us, the artist of the work being Olga de Amaral. I was to encounter other pieces of her work during my travels and each piece was as beautiful as the last, very textural and woven.

Emeralds

2009-05-13T14:02:00.000-07:00

In Cartagena, I visited another wonderful museum, the Museo de la Esmeralda, a museum dedicated to the study, gathering and conservation of emeralds. It took a few times to find the ‘real’ Emerald Museum, with a jewellery shop on the same street proudly displaying the sign ‘museo’, and a taxi driver who took me to an emerald factory instead.
The museum has a fantastic array of emeralds in their natural state, some very rare, including the trapiche, which apparently has a waiting list of potential buyers including Spanish royalty. The museum, however, will not part with their prized emerald.

A trapiche emerald exhibits a star pattern, having ray-like spokes of dark carbon impurities that give the emerald a six-pointed radial pattern. It is named after the grinding wheel used to process sugarcane in the region. Colombian emeralds are generally the most prized due to their transparency and fire. Some of the most rare emeralds come from three main emerald mining areas in Colombia, which are Muzo, Coscuez and Chivor in the department of Boyacá.

Colombian emeralds may be highly sought after, but are they ethical. Privatised in 1973, the mines have often been the preserve of cartels and prospectors, with dangerous working conditions being the norm. The work of emerald dealer Ronald Ringsrud is seeking to reverse this trend by introducing the concept of fair trade emeralds in Colombia, working with small-scale, artisanal emerald miners to create safe and fair working conditions, whilst reducing poverty and strenthening communities.

Museo de La Esmeralda - Calle Don Sancho #36-75, Cartagena de Indias

Cartagena - Museo del Oro Zenú

2009-05-05T10:35:00.000-07:00

Cartagena de Indias on the Caribbean coast was my first destination. A UNESCO World Heritage Site, Cartagena's walled city is an architectural delight, bathed in colour and light. Founded by Pedro de Heredia in 1533, the city served as Colonial Spain's storage point for treasure, which was collected from the Americas before being shipped to Spain.

First stop was the Museo del Oro Zenú, the Cartagena branch of the Gold Museum in Bogotá. Specialising in gold artifacts from the Caribbean coast of Colombia and the coastal plains, the well-displayed pieces are primarily from the Zenú people and are all between 500 to 2000 years old.

Detail of painting by Francis Martin featuring Filigree earring, Zenú tradition. 200 B.C.-1600 A.D.

Fabrics and the weave played an essential role in the daily and religious life of the Zenúes, the weaving and basketwork industries influencing pottery and metalwork styles. Metalsmiths used the cast filigree technique to make earrings, by weaving or imitating fabrics and plaits in wax threads, which they transformed into metal. They lived amidst a maze of streams, rivers and marshes, and wove together a waterway system made up of an intricate network of canals.

Candescent on Flickr

2009-04-27T14:46:00.001-07:00

In March of this year I travelled to Colombia for a month to research for The Candescent Project's forthcoming exhibition called Green Gold.

My trip had a 'thread of gold' running through it, from Cartagena, the former treasury of Colonial Spain, to Bogotá with its magnificent Gold Museum, Villa de Leiva & surrounds, home to the legend of 'El Dorado' and the Muisca Indians, and Medellin, where the offices of Oro Verde are based. Finally to Chocó, to visit the Oro Verde gold mines.

I have posted images of my trip on Flickr, and whilst writing this blog, I will highlight some of the images and the story behind them. I will also write about the creation of the piece of jewellery that is being made for the exhibition and update on the progress of the painting. It will be a tale of Colombia and my search for a beautiful, ethical piece of jewellery..

Here is a link to my images of Colombia on Flickr. © Tanya Bowd

Cordaid & CAFOD

2009-04-26T13:10:00.000-07:00

The Green Gold exhibition has been made possible by the kind support of Cordaid and CAFOD.

Cordaid is a Dutch international development organisation structured around four programmes: Participation, Emergency Aid and Reconstruction, Health and Well-being and Entreprenuership.

CAFOD is the Catholic Agency for Overseas Development, working with communities in over 50 countries in Africa, Asia and Latin America, supporting people to find their own solutions to poverty. The agency works with all people regardless of race, gender, religion or nationality, acting on principles of compassion, solidarity, stewardship and hope.

In 2008 CAFOD toured a photographic exhibition called 'Pure Gold?' which revealed a less than glamorous side to gold. It highlighted mining activities in three continents that have contibuted to a cycle of poverty and violence, where water supplies have been poisoned, and the environment and culture of people have been destroyed.

The exhibition Green Gold concentrates on the positive aspects of responsible, small-scale mining. By profiling the Oro Verde programme in Colombia, the exhibition serves to highlight the social and environmental benefits that responsible mining brings, and its application as a model for other small-scale mines around the world to adopt.

http://www.cordaid.com/

http://www.cafod.org.uk/

Respond! An RSA Arts & Ecology Initiative

2009-04-25T10:49:00.000-07:00

The RSA Arts and Ecology Centre is an organisation whose role is to catalyse, publicise, challenge and support artists who are responding to the environmental challenges of our time. Respond! is an RSA Arts & Ecology Initiative held for the duration of June 09 to highlight nationwide events, exhibitions, talks and projects in the UK that demonstrate the arts’ engagement with environmental issues.

In London, The Candescent Project exhibition Green Gold is featured alongside events and exhibitions at various venues including the Barbican Centre, Natural History Museum and Cape Farewell.

www.rsaartsandecology.org.uk/projects/respond

Coutts London Jewellery Week

2009-04-24T13:22:00.000-07:00

The Candescent Project exhibition is part of Coutts London Jewellery Week 8th- 14th June 09. Now in its second year, the week highlights the work of jewellers, both established and new, at various venues in London. This year there is a museum trail with the V&A, British Museum, Museum of London and Fashion & Textile Museum showcasing jewellery collections. The Green Gold exhibition will be on for the week's duration at the Art Workers Guild in Queens Square, Bloomsbury, London.

http://www.londonjewelleryweek.co.uk/

Art Workers Guild

2009-04-23T10:45:00.000-07:00

The exhibition Green Gold is to be held at the Art Workers Guild, in Bloomsbury, London, which was established in 1884 by a group of young architects associated with the ideas of William Morrris and the Arts and Crafts Movement. The Guild is a society of artists, craftspeople and designers, with many of its current members upholding long-established traditions of workmanship and a desire to contribute to the community. The Guild's members range from animators to architects and mosaic artists to printmakers. There is a reference library and a large number of events are held, from lectures to exhibitions.

http://www.artworkersguild.org/

Ronald de Hommel

2009-04-22T14:04:00.001-07:00

Ronald de Hommel is a freelance photojournalist and documentary photographer based in Paris, France. Recently he has worked mainly in Latin America and the Middle East. He is currently working on several worldwide projects, as well as on assignments for Dutch and international magazines and NGO's. Part of his work is represented by photo agency ANP Photo.

The Candescent Project 'Green Gold' will feature some of Ronald's photographs of the Oro Verde programme.

http://www.photofactory.nl/

Kike Arnal

2009-04-21T13:40:00.001-07:00

Photographic portraits of Oro Verde miners by Kike Arnal will accompany the Green Gold exhibition. Kike is a still photographer and videographer whose work has appeared in The New York Times and Life magazine. Originally from Venezuela and now based in the San Francisco Bay area, Kike has covered stories in the Americas, the Middle East, Asia and Europe.

http://www.kikearnal.com/

Francis Martin

2009-04-20T14:33:00.001-07:00

Francis works as a fine and applied artist on private commissions and feature film productions, and his work includes portraiture and still life. For the exhibition Francis is creating a painting inspired by trompe l’oeil featuring elements of Colombia and Oro Verde, based on my visit to Colombia in March.

A Trompe l'oeil painting by Francis for Chelsea Farmers Market

Trompe l'oeil is an art technique involving extremely realistic imagery in order to create the optical illusion that the depicted objects appear in three-dimensions, instead of actually being a two-dimensional painting.

Stacey Whale

2009-04-19T15:55:00.001-07:00

The Candescent Project has commissioned jeweller Stacey Whale to create pieces for the Green Gold exhibition, using gold sourced from Oro Verde and fair trade gems from Columbia Gem House. Stacey's award winning, innovative and original jewellery uses a variety of precious stones and lenses and is handcrafted using gold and silver.

With funding from Cordaid and CAFOD, The Candescent Project sponsored jeweller Stacey Whale to visit Colombia in March to assist with the development and research process of the jewellery for the exhibition. Together we visited the Gold Museum in Bogotá and the artistic community of Villa de Leiva.

http://www.staceywhale.com/

The Candescent Project

2009-04-18T12:58:00.001-07:00

With an interest in sustainability and the environment, Candescent creates objects that are not only beautiful to look at but have a story to tell. Candescent seeks to educate and inform through interesting and thought-provoking subjects, empowering people with knowledge to enable change.

http://www.the-candescent-project.co.uk/

Oro Verde ® (Green Gold)

2009-04-17T11:38:00.001-07:00

Oro Verde ® (Green Gold) is the first initiative to certify responsibly mined artisanal metals. Based in the verdant, rainforest region of Chocó in Colombia, Oro Verde ® comprises of mining families in the municipalities of Tado and Condoto. Ensuring that working practices are fair and environmentally friendly, miners receive a premium for the ‘green’ gold, which is re-invested back into the community, and employ a method of extracting the gold that does not involve the use of mercury and cyanide.

http://www.greengold-oroverde.org/loved_gold/

The People of El Chocó

2009-04-16T11:58:00.000-07:00

In the Department of Chocó , 85% of the population are Afro-Colombian, descendents of Africans brought to the region by the Spanish to work the mines in the first decade of the sixteenth century. The Afro-Colombian community has a rich social and cultural heritage, which finds expression through music, language and dance.

In 1991 the Colombia Constitution gave Afro-Colombians the right to collective ownership of traditional Pacific coastal lands and to special cultural considerations. Despite the wealth of natural resources and preservation of ancestral traditions and culture, 82% of the population live with unsatisfied basic needs. Large companies have reaped the wealth of the mining and forestry resources, leaving the people with extremely poor living conditions, the poorest in the country, whilst the armed conflict in Colombia has served to displace a large percentage of the population.

A part of the population in Chocó are comprised of the Indigenous Native Indians called the Embera. The Embera are Colombia's third largest indigenous group with an estimated population of around 71,000. Mainly hunters and gatherers, they are a nomadic people found in different regions of the country although half of the population resides in Chocó. The Embera are also being displaced by the armed conflict.

Chocó Biodiversity Hotspot

2009-04-15T13:49:00.000-07:00

Tumbes-Chocó-Magdalena is one of 34 biodiversity hotspots in the world. Identified by British Ecologist Norman Myers, hotspots are the richest and most threatened reservoirs of plant and animal life on earth.

There are an estimated 11,000 plant species found in this hotspot, about 2,750 (25 percent) of which are endemic. Of these 5,000 are found in the Colombian Chocó. Endemic birds comprise more than 100 species. The hotspot includes a wide variety of habitats, ranging from mangroves, beaches, rocky shorelines, and coastal wilderness to some of the world's wettest rain forests.

http://www.biodiversityhotspots.org/

The major threat to this region is deforestation, with the industrial production of African palm oil, uncontrolled gold mining and illegal growing of coca adding to the list of causes of deforestation.

Aerial view of Chocó as seen from my Satena flight to Quibdo

Department of Chocó, Colombia

2009-04-14T11:02:00.000-07:00

My search for green gold, that is gold that has been mined without the use of mercury and cyanide, took me to the Department of Chocó in Colombia, South America.

The Chocó biogeographic region, which has been recognized internationally as one of the most biologically diverse areas on the planet, stretches along the Northwestern edge of South America from Southern Panama to Northwestern Ecuador.

Green Gold Exhibition

2009-04-13T06:41:00.001-07:00

A Candescent Project exhibition 'Green Gold' is part of Coutts London Jewellery Week 8-14th June 09 and Respond! An RSA Arts & Ecology Initiative. Funded by Cordaid & CAFOD.

http://www.the-candescent-project.co.uk/

In Search of Green Gold

Follow Us

Fairtrade Gold Launch

Gold for Gold

Cuff & Ring

Oro Verde ® DVD Presentation

Ethical Jewels - Telegraph and The Jewelry 'Special Report'

Assay Office London

Green Gold Exhibition at the Art Workers Guild

From a Suitcase to a Display Case

Life Imitating Art

Light & Shadow

Paint by Numbers

The Real Price of Gold Article

A Little Peek

Green Gold Exhibition Flyer

Bogotá to London

A Successful Model

48 hours in Tadó

Children´s Land (Tierra de niños-TINI-)

Gualdino Perea's Mine

The Farm

Fair Trade Gems

A Chain of Gold

A Lace-like Cuff

Apeiba, Sida Glutinosa and Malachra Rudis

Mercury & Cyanide

Environmental Criteria

The Perea Family

Uncontrolled, mechanised mining

The Community Councils & Las Mojarras Foundation,

Flight to Quibdó

The Amigos del Chocó Foundation (AMICHOCO) & the Oro Verde ® programme

La Candelaria Bogotá

Bogotá Botanical Garden

Market Day

The Muisca Raft

My Favourite Blouse

Inspirational Images

Villa de Leiva surrounds

Mawasi Finca

The Gold Museum of Colombia

Colombian Connection Project

Emeralds

Cartagena - Museo del Oro Zenú

Candescent on Flickr

Cordaid & CAFOD

Respond! An RSA Arts & Ecology Initiative

Coutts London Jewellery Week

Art Workers Guild

Ronald de Hommel

Kike Arnal

Francis Martin

Stacey Whale

The Candescent Project

Oro Verde ® (Green Gold)

The People of El Chocó

Chocó Biodiversity Hotspot

Department of Chocó, Colombia

Green Gold Exhibition